REVIEW: DEER HOOF ON RIVER COBBLES (2022)
Dendrochronology is the word that comes to mind in assessing poet Walker Abel’s body of work in anticipation of the April 22, 2022 release of his fourth volume of poetry Deer Hoof on River Cobbles, to...
View ArticleTHROWBACK THURSDAY / 2007 FRAMELINE31 / THE FALL OF '55—The Evening Class...
In anticipation of a free screening of The Fall of ’55 scheduled for Saturday, May 14, 2022, 6:00PM at The Community Center, 1088 N. Orchard St. in Boise, Idaho, to be followed by an onstage discussion...
View ArticleBOISE CONTEMPORARY THEATER: THE SHOW ON THE ROOF—The Evening Class Interview...
As a young homosexual growing up in southern Idaho in the 1960s and 1970s, it was impossible to not be aware of what was variously referred to as the “Boise homosexuality scandal”, the “Morals Drive”,...
View ArticleTHE FALL OF ’55—Q&A With Seth Randal for TCC Benefit Screening
Seth Randal (2022). Photo: Michael Guillén.The Show On the Roof (2022), the musical adaptation of Seth Randal’s documentary The Fall of ’55 (2006), boasted its world premiere at the Boise Contemporary...
View ArticleOUTFEST 40 / FRAMELINE 46: UNIDENTIFIED OBJECTS (2022)—THE EVENING CLASS...
Photo: © 2022 Corey Nickols, courtesy gettyimages.comWhereas one is an acknowledged auteur’s megaplex arthouse horror confidently boasting a first-tier cast, and the other a modestly-produced...
View ArticleHALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG (2021)—THE EVENING CLASS...
Now I've heard there was a secret chord That David played, and it pleased the Lord But you don’t really care for music, do you? It goes like this, the fourth, the fifth The minor fall, the major lift...
View ArticleREVIEW: GRATITUDE REVEALED (2022)
Described as a “cinematic quilt”, award-winning cinematographer, director and producer Louie Schwartzberg’s Gratitude Revealed (2022) stitches together finessed medallions of color, texture and rhythm...
View ArticleMVFF 44—REVIEW: PATH OF THE PANTHER (2022)
The role of wildlife photography and, by extension, cinematography as a conservation initiative had its meager beginnings in the early 1900s when George Shiras (nicknamed “Grandfather Flash”) published...
View ArticleREVIEW: PIGGY (2022)
In an early scene of Carlota Pereda’s Piggy (2022), the maligned protagonist Sara (in an amazingly brave and assured performance by Laura Galán) is an overweight teen who secretly fantasizes on being...
View ArticleTHROWBACK THURSDAY: THE BUMP INTERVIEW WITH EALDOR BEALU
Between the vicissitudes of the Internet and the short life spans of independent street magazines, much of my writing of the past decade and a half has evaporated like dew on a summer morning....
View ArticleTHROWBACK THURSDAY—The SF360 Interview with Edward Millington Stout, III
Wurlitzer ad in Exhibitor's Trade Review. Launched in 2006, SF360 began as a copublishing effort between the San Francisco Film Society (now known as SFFILM) and indieWIRE. Until its closure in 2011,...
View ArticleTHROWBACK THURSDAY—The SF360 Fivepick for Another Hole In the Head (2007)
With early confirmation of the filmic slate being offered at the 19th edition of S.F. IndieFest’s genre sidebar Another Hole In the Head, I look back at my SF360 write-up for the festival’s fourth...
View ArticleTHROWBACK THURSDAY—The SF360 Interview With Dennis Nyback
Photo: © S.W. Conser.Dennis Nyback, respectfully remembered by S.W. Conser for his Oregon Artswatch profile, passed away at the age of 69 on October 2, 2022 following a long battle with cancer. I...
View ArticleAHITH 2022—LINE-UP ANNOUNCEMENT
The 19th edition of Another Hole In The Head Film Festival (“AHITH”) will take place December 1 to 18, 2022 at the Roxie Theater, 4 Star Theatre, Stage Werks, Eventive, and Zoom. Offering 18 days of...
View ArticleBAM/PFA—Pier Paolo Pasolini Retrospective (2022)
Nine years ago the Bay Area celebrated a Pier Paolo Pasolini (2013) retrospective that provided the welcome opportunity to view most of his films. Enthused, at The Evening Class I assembled a listing...
View ArticleAFF 2022—Queer Lens Shorts (Diaspora & Displacement)
Like paper flowers in water, short films possess the capacity to expand small intimate stories into larger dimensions of meaning and relevance. “Short” and “small” convert into narrative snapshots of...
View ArticleAFF 2022—OPENING NIGHT: The Blue Caftan (2022)
Husband and wife Halim (Saleh Bakri) and Mina (Lubna Azabal) run a traditional caftan store in one of Morocco’s oldest medinas. In order to keep up with the commands of the demanding customers, they...
View ArticleTHROWBACK THURSDAY: THE GOSPEL ACCORDING TO MATTHEW (IL VANGELO SECONDO...
My response to the casting and narrative elements of Pier Paolo Pasolini’s The Gospel According to Matthew (Il Vangelo Secondo Matteo, 1964) ("Matthew") was originally published on Keyframe, Fandor’s...
View ArticleTHROWBACK THURSDAY—A Resonant Friendship: Ninetto Davoli on Pier Paolo Pasolini
Ninetto Davoli. Photo: Unknown."Everything about him has a magical air ... an endless reserve of happiness."—Pier Paolo Pasolini on Ninetto Davoli. Nine years ago in 2013 Luce Cinecittà and Fondo Pier...
View ArticleREVIEW—SALVATORE: SHOEMAKER OF DREAMS (2020)
Not since Prince Charming fitted the glass slipper onto Cinderella’s foot has a rags-to-riches story been so compelling as Luca Guadagnino’s affectionate portrait of Salvatore Ferragamo, the “shoemaker...
View ArticleREVIEW: IKIRU (1952) / LIVING (2022)
In the program notes for the California premiere of Living (2022) at the 45th edition of the Mill Valley Film Festival, David Riedel synopsized: “This beautiful drama, written by Kazuo Ishiguro (The...
View ArticleTHROWBACK THURSDAY—DAVID CROSBY: REMEMBER MY NAME (2019)—BOISE, IDAHO...
With his first directorial feature David Crosby: Remember My Name (2019) emerging as a Sundance darling picked up by Sony Pictures for theatrical distribution, I was touched by A.J. Eaton's invitation...
View ArticleGUILLERMO DEL TORO’S PINOCCHIO (2022)—An Evening Class Question For Guillermo...
As I approached the Christmas season this past December, I became curious about painterly representations of the Annunciation and discovered James Tissot’s version of the Biblical event, which depicts...
View ArticleTREEFORT 11 (2023)—TEN BANDS TO SEE
With 500+ musical acts scheduled for Treefort 11, the task of shaping an itinerary of what I’m hoping to catch at this year’s edition has been a bit overwhelming; but, here are ten acts I’m looking...
View ArticleTREEFORT 11 / WINDOW WALK—The Evening Class Profile of Walter Gerald
It’s the Window Walk on First Thursday that, for me, annually launches Treefort where muralists and downtown businesses combine forces to offer Boiseans a street gallery throughout the month of March....
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